Fashion Features Film Lists Not-So-Great Movies Made By Great Directors

10 Not-So-Great Movies Made By Great Directors « Taste of Cinema

10 Not-So-Great Movies Made By Great Directors « Taste of Cinema

Even the best filmmakers are usually not infallible. A director with the sharpest eye and the clearest artistic imaginative and prescient and the strongest command of the shape can nonetheless fall into some of the traps that make a nasty film.

You possibly can by no means be solely sure what is going to click on with an viewers or what the critics can be searching for or how your film might be interpreted, regardless of how intently you take a look at each body in the course of the modifying course of, so there’s all the time going to be a margin of error.

There are a small handful of administrators who’ve by no means made a nasty film – like Paul Thomas Anderson, Christopher Nolan, and Stanley Kubrick, to call the obvious ones – however the majority of administrators on the market have made dangerous films.

Some of these dangerous films have been made by administrators who’re thought-about to be among the many Hollywood elite. Even movie faculty favorites like Quentin Tarantino and Oliver Stone have had their darkish days with a nasty film or two.

This listing presents ten films that have been helmed by nice administrators with a confirmed monitor document for creating masterful works of cinema and, sadly, didn’t reside as much as that status.


10. Blackhat (Michael Mann, 2015)


Michael Mann has all the time been recognized for guiding crime thrillers which might be thrilling and slick and fast-paced and fierce. His films Warmth, Thief, Collateral, and The Insider have tackled critical points like company whistleblowing and legal life and muddled morality. He’s the man who lastly received Al Pacino and Robert De Niro collectively and did their skills justice with that intense diner scene.

However Mann’s worst-reviewed movie, by far, is Blackhat. His movies are often acclaimed by critics, and even those that don’t do as nicely like Miami Vice and Public Enemies are nonetheless usually well-received. Nevertheless, Blackhat didn’t even get a lukewarm reception – individuals flat-out hated it.

Rather a lot of critics’ drawback with Blackhat was the casting of Chris Hemsworth. They thought that a man who spent all day each day sitting in a darkish room engaged on a pc wouldn’t have the physique and pores and skin and appears of Chris Hemsworth. However that’s not the most important problem with the film. The primary concern – and this is applicable to all so-called techno thrillers and all films about cyberterrorists – is that watching a man spend all day daily sitting in a darkish room engaged on a pc merely isn’t fascinating for us to observe.

This is identical cause why the WikiLeaks drama The Fifth Property did not entice audiences and CSI: Cyber was canned after two seasons whereas CSI: Miami lasted for ten. If anybody might make cyberterrorism visually thrilling, it might be Michael Mann, and he sadly failed, so perhaps there’s no strategy to make as we speak’s on-line terrorism work on movie.


9. Swept Away (Man Ritchie, 2002)


Man Ritchie burst on the British movie scene together with his films Lock, Inventory, and Two Smoking Barrels and Snatch. He was primarily Britain’s reply to Quentin Tarantino, making crime capers that have been slick and humorous and fast-paced and completely idiosyncratic.

Plainly after these films got here out and gained over the hearts of critics and audiences alike, Ritchie’s then-wife Madonna noticed that he might make an honest film and requested him to make one which she might star in. And so, we ended up with this travesty of a love story a few snobbish socialite and a lower-class sailor who fall in love when they’re stranded collectively on a desert island.

This was a remake of a 1974 Italian movie that handled the category divide and gender politics. It wasn’t only a love story on an island – it was thematically about a lot extra. The Man Ritchie/Madonna model is bereft of any context or commentary. As an alternative, it’s simply 89 self-indulgent minutes of stroking Madonna’s ego.

The takeaway from the 1974 movie is that it’s symbolic of a patriarchal society marked by sexual violence. The takeaway from the 2002 remake is that Madonna can’t act. That’s the one actual perception we achieve from the movie.


eight. The Counselor (Ridley Scott, 2013)

Sir Ridley Scott is one of probably the most famend movie administrators of our time. He has given us such masterpieces as Alien, Thelma and Louise, Blade Runner, and Gladiator. However even a professional like Sir Ridley can slip up sometimes. His films A Good Yr and Exodus: Gods and Kings wanted enchancment. They have been tough across the edges and had meandering plots – however their flaws have been nothing in comparison with the catastrophe that was The Counselor.

It was the primary produced screenplay of extremely acclaimed No Nation For Previous Males writer Cormac McCarthy, and a collaboration of McCarthy and Scott had rather a lot of promise. Many audiences have been excited to see what they might provide you with. However sadly, the movie is let down by McCarthy’s limp script. The issue with the script is that it was written by a man who’s used to writing novels and isn’t a visible thinker – so he thinks extra about the way it reads on the web page than the way it will look on movie.

The scene with Michael Fassbender and Penelope Cruz in mattress, speaking randomly and aimlessly about which sexual acts they need to do to one another, would have labored a lot better in a novel than it did within the film. Within the film, it drags on and it’s awkward, however in a novel, as written by McCarthy, it might be a page-turner. The identical goes for your complete film – whose obtrusive structural missteps wouldn’t appear so apparent within the extra long-winded literary type – and that’s finally what lets it down.

The one robust screenwriting method on show in The Counselor was the plant and payoff of the retracting decapitation wire. It will get defined in nice element by Javier Bardem, in order that when it cuts Brad Pitt’s head off an hour or so down the road, we all know the way it works and the entire thing comes off as rather more surprising and grisly. However that’s about it. The remaining of the film is a washout that ought to’ve been written as a novel quite than a screenplay – or spruced up and tightened to work higher as a screenplay. Both answer would work advantageous.

So, it’s not likely Ridley Scott’s fault that this film was a dud, as a result of he did every part he might with a dud script. Nonetheless, he does get to decide on which scripts he turns into films and he selected The Counselor, so he’s partly in charge.


7. Aloha (Cameron Crowe, 2015)

Cameron Crowe mastered the stability of comedy and drama, and story and character, to inform probably the most human tales of his profession in his lovely, tonally pitch-perfect films Jerry Maguire, Say Something…, Virtually Well-known, and Singles. Even Vanilla Sky has its followers. However together with his Hawaii-set romantic comedy Aloha, he appeared to completely botch it.

For starters, there was all of the controversy surrounding the movie’s all-white forged, since most of the characters declare to have Asian heritage. The forged is spectacular – Bradley Cooper, Emma Stone, Rachel McAdams, Invoice Murray, John Krasinski, Danny McBride, and Alec Baldwin – however they’re all white. Stone’s character even has a Chinese language surname, and she or he’s as white as they arrive. And even these terrifically gifted actors can’t save a colorless script. Crowe made a comedy-drama the place the comedy isn’t humorous and the drama isn’t fascinating.

That is an Oscar winner who wrote the screenplay for Quick Occasions at Ridgemont Excessive, created the character of Penny Lane, and wrote the road “Show me the money!” We now have come to anticipate lots higher from him. Aloha was so dangerous that it misplaced $65 million for the studio – and Cameron Crowe hasn’t made a film since.


6. Gigli (Martin Brest, 2003)


Martin Brest has directed each hilarious comedies, like Beverly Hills Cop and Midnight Run, and honest dramas, like Scent of a Lady. He had an incredible directorial profession that ended very abruptly with the Bennifer car Gigli.

On this case, it wasn’t a scarcity of foresight or a laziness on Brest’s half – studio meddling is in charge. Brest wrote a criminal offense story as truthfully and as ingenuously as he might. That’s what attracted the likes of Christopher Walken and Al Pacino to the challenge. It in all probability would have been a terrific gangster movie if Brest had been left to only do his factor, however through the manufacturing, the media was going loopy over Ben Affleck and Jennifer Lopez’s relationship.

That’s when the studio noticed a chance – one that may ultimately backfire in an enormous method – to money in on their movie star profile. They made Brest majorly rewrite and reshoot the film to be a Bennifer romantic comedy. In the long run, Gigli would come to be thought-about one of the worst films ever made.

And the Bennifer cash-in didn’t even repay – Gigli was such a field workplace bomb that Affleck and Lopez’s mixed salaries for the film have been equal to greater than triple its whole worldwide field workplace gross. This film was the primary to ‘win’ in all 5 essential classes on the Golden Raspberry Awards.

Gigli’s critiques and field workplace numbers have been so poor that it scared Brest off ever making one other film once more. Right here we’re, fifteen years later, and he nonetheless hasn’t given us one other film. It’s a disgrace, as a result of it’s not Martin Brest’s fault – it simply occurs to have his identify throughout it.

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